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Photo Quote

“I am just a middle-class farm boy from Dodge City and my grandparents were wheat farmers. I thought painting, acting, directing and photography were all part of being an artist. I have made my money...

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Terrence McNally On Playwriting

Adapted from: From Page to Stage: How a Playwright Guards His Vision The New York Times, December 7, 1986 I worry that in the process of developing my new play I lose it . . . An actor will suggest I...

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Edward Albee on Directing

Adapted from: Who’s Afraid of Edward Albee? Joe Levine, Johns Hopkins Magazine, June, 1984 I work in the practical areas of theater because a play is not a theoretical thing — it must be rehearsed,...

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Jane Anderson On Playwriting

Adapted from: Jane Anderson knows it’s time to let go The Los Angeles Times October 7, 2007 As I write this, I’m well into the third week of rehearsals for my new play at the Geffen Playhouse, “The...

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John Guare On Playwriting III

Adapted From Paris Review, The Art of Theater No. 9 Interviewed by Anne Cattaneo Until I went to Catholic high school in Brooklyn. I took a long subway ride each day to Williamsburg, which was...

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John Guare On Playwriting IV

Adapted From Paris Review, The Art of Theater No. 9 Interviewed by Anne Cattaneo While I was a student at Yale in 1962, I took courses in set design, lighting, and costume from Donald Oenslager and...

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Athol Fugard On Playwriting VI

Paris Review, The Art of Theater No. 8 Interviewed by Lloyd Richards For a long time I thought that drinking had a great influence on my imagination. Not that I’ve used alcohol at any of the few desks...

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Athol Fugard, VII

Paris Review, The Art of Theater No. 8 Interviewed by Lloyd Richards I’m glad I’m an actor. I’m glad I’ve had acting experience, because I think it has sharpened my craft as a playwright. Acting has...

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Today’s Quote

All art is autobiographical; the pearl is the oyster’s autobiography. Federico Fellini, film director and writer (1920-1993) (Click image to enlarge.)

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Today’s Quotes

“(. . . working on a play.) You do the first job as neatly as you can: She comes in. Then you do the next job: He sees her. And so on. It’s an extraordinarily useful lesson.” “Elaine May has a...

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